Naomi Kawashima

Mariko is a forensic scientist working at the Kyoto PD Crime Lab. Her credo is “science never lies” and she delves into the truth of the case with her colleagues with their specialized skills and knowledge in forensic medicine, physics, chemistry etc. Mariko’s steadfast belief in science makes her stand against conventional institutional ethics of the police department, diehard detectives averse to scientific investigation and sometimes even with her own colleagues, but she stays faithful to her belief in science and continues to pursue the truth.

The story follows Minamida Nozomi, the charming female protagonist whose company's performance deteriorates due to the collapse of the bubble economy and who is forced to quit her job as she is prevented from getting married and starting a family. However, after her younger brother is involved in a theft incident within her family, she decides to become a lawyer. She passed the difficult bar exam and faced the harsh reality of legal training in Fukushima.

A comical look at the Japanese legal system. Big corporate law firm seeking to increase their profit margin notices that a lot of the partners spend a lot of their time on cases which don't bring in a lot of revenue. They decide they need to hire an average lawyer, at a minimal salary, that will take care of these small cases and not complain. That's why the law firm hires Hanamura Daisuke (Yusuke Santamaria)...to handle these minor cases. Daisuke's approach to the law is very unique and the way he handles each case is very entertaining

The story features a team of four sleuthing sisters.

Kuki Shoichiro is relieved of his position as general manager of Gendai Shobo and transferred to the research office. One day, three months after his sudden relocation, on the night of a lecture at the Culture Center at Kinugawa's request, Hisaki meets Rinko Matsubara through his introduction. The story begins a few months later, in September, in a hotel room in Kamakura.

A new dramatization of "Hadaka no Taishō (The Naked General)" series about the wandering painter Kiyoshi Yamashita, starring Tsukaji Muga.

"Don't pity me, just give me money." A smart little girl, Suzu, for the sake of her beloved sick mother, has no choice but to attempt all ways to fork up the money required for the operation. It includes stealing, cheating and almost anything that could yield cash. However, deep within her is a sadness unseen by many. --Snowflakes (source: dramawiki) It received the 1st Television Drama Academy Awards (1994-06-22)for Best Drama and Best Theme Song and also received a Special Award. It was the highest rated NTV drama of 1990s, with average viewership rating around 24,7%.

Iguana Girl is a manga by Moto Hagio published in Petit Flower. It was adapted into a television drama in 1996. It is about a young girl, Rika, whose mother views her as being ugly, and favours her other daughter, Mami. Rika thinks of herself as ugly and as an iguana, but after her mother's death, realises that her mother was also an ugly iguana. Iguana Girl reflects Hagio's own relationship with her mother, and it took her "years to write this story". Hagio saw an iguana in a documentary on television and identified with it, feeling it was "lamenting its failure to become a human, just like me".

Ikuko is a mature, reserved Kyoto woman married for many years to a respectable, now-middle-aged man. The only problem in their relationship has been that her husband is dissatisfied with her lack of passion during lovemaking. All this changes after they meet the young Mr. Kimura

Film adaptation of the erotic romance novel by Iwai Shimako, author of Too Scary, starring Kawashima Naomi. Kawashima returns to the big screen for the first time since her appearance in Maitresse 13 years ago, and delivers an intense performance of a heroine burning with sexual desire. She nails the passionate sex scenes. Maiko (Kawashima) visits Bangkok to get away from work and love, and meets Korean Muay Thai boxer Ha-Neul (Yi Te-Gang). Mutual attraction trumps language barriers as the couple buries their loneliness in all-consuming lust.

#52 in the series.

Yoko Sakaki: 24 years old. Occupation: Ghost Negotiator. With her tomboyish attitude and severely bad mouth, she helps ghosts leave this world by shouting at them. But, that work is almost done - she and her boyfriend Toshio are about to get married, and their dream is to open a tofu shop together. However, she has kept her profession a secret from him, instead telling him she is a flight attendant... While out with him one night, Yoko gets a call from work telling her that a ghost has appeared in Hachioji... She goes to bust the ghost with her unreliable new partner, Yanagida, but can she hold on to her relationship at the same time?

#51 in the series, following "Special Ver.50"

Ginjiro finds that it has become impossible to collect debts when even his regular clients have been conned out of their savings. He discovers that Sugiura gang underboss Domoto is behind these schemes. Domoto wants to take over the gang and tries to ruin Yukino, the real boss’s widow and the gang’s acting head, by sabotaging a resort hotel project with the help of a thug named Kawatani. Ginjiro, who has lent money for the project, is furious when he learns about Domoto’s schemes and goes into action.

#49 in the series, following "Fraud Methods"

A worn-down office worker, Takagi, meets a Taiwanese woman, Huimin, during a business night out and becomes drawn to her. When she suddenly disappears and dangerous men start hunting for her, Takagi discovers she’s involved in a criminal case linked to a valuable piece of porcelain. With the help of a doctor, Saya, he follows Huimin’s trail all the way to Taiwan, risking everything to uncover the truth.

#48 in the series

This is the 25th installment of the long-running OV series, which delves into the dark side of society that is often overlooked. This ambitious film sheds light on the ruthless, unknown side of sex-related businesses such as host clubs and brothels, which target people indulging in unbridled desire. Maejima (Bonchi Osamu), an ice shop owner who falls in love with a woman working at a restaurant in Toyota Shinchi, borrows 2 million yen from Ginjiro (Takeuchi) to help her out of debt, but falls into a clever trap set by the greedy host club owner, losing both the shop's land and the building.

#46 in the series

#45 in the series, following "The Men's Past"

#44 in the series, following "The Price of Betrayal."

Japanese film directed by Jinsei Tsuji

#43 in the series, following "Bonds - KIZUNA."

#42 in the series, following "Dark Judgment"

#41 in the series, following "Special Ver.40"

#38 in the series, following "Formula for Deception."

#39 in the series, following "Debt Seminar." A former pro baseball player turned youth baseball coach borrows money from Manda to lend to the gambling-addicted father of his star player.

#40 in the series, following "Pride." Made-for-TV special following Manda and crew as they search for the man who stole a restaurant owner's life savings, resulting in the death of one of their clients.

#37 in the series, following "Yakuza Finance."

The story features a team of four sleuthing sisters.

A new dramatization of "Hadaka no Taishō (The Naked General)" series about the wandering painter Kiyoshi Yamashita, starring Tsukaji Muga.

A Proud "man of the house", Yamamura Kazuyuki is the bread winner in a society where men bring home the money. He is a tv commercial director and makes good money to support his wife and son. After recently buying a house, he finds his new neighbor is a stay at home dad. Finding it hard to respect a man who isn't the money maker, he finds the tables are turned as he himself is out of work and running the household, while his wife returns to the workforce. It isn't quite as easy as he keeps telling everyone, but that's okay since he is looking for a new job and should have one soon.It is a look at how society is changing with often times, hilarious results. Struggling to keep his head above water, he finds himself being tutored by his neighbor (even if he doesn't want to be), and at the same time building a friendship.Through trials and tribulations, he learns to respect his new role, while giving credit to the women (and men) who are the ones staying home and keeping home-life afloat.

A comical look at the Japanese legal system. Big corporate law firm seeking to increase their profit margin notices that a lot of the partners spend a lot of their time on cases which don't bring in a lot of revenue. They decide they need to hire an average lawyer, at a minimal salary, that will take care of these small cases and not complain. That's why the law firm hires Hanamura Daisuke (Yusuke Santamaria)...to handle these minor cases. Daisuke's approach to the law is very unique and the way he handles each case is very entertaining

Mariko is a forensic scientist working at the Kyoto PD Crime Lab. Her credo is “science never lies” and she delves into the truth of the case with her colleagues with their specialized skills and knowledge in forensic medicine, physics, chemistry etc. Mariko’s steadfast belief in science makes her stand against conventional institutional ethics of the police department, diehard detectives averse to scientific investigation and sometimes even with her own colleagues, but she stays faithful to her belief in science and continues to pursue the truth.

Yuko (Kanako Enomoto), always dressed in flashy, trend-setting fashion, looks carefree and bold at first glance. But in reality, she has very few female friends. She especially can’t stand Setsuko (Sayaka Yamaguchi), a classmate at the same junior college, whose similar “fashion-forward” style feels like competition. However, after the two unexpectedly run into each other at a convenience store—both bare-faced and wearing track suits—they begin to open up, wondering they’re more alike than they thought. One day, they win a Saipan trip in a lottery and set off full of excitement… but things don’t quite go as planned. Based on a manga called "Ikeike! Baka Onna!" by Suzuki Yumiko.

After having aborted her lover’s baby, thirty-four year-old Fuyuko undergoes an emergency hysterectomy and feels a loss of womanhood as she gives up her dreams of marriage and children. Kishi is caught between his enduring love for Fuyuko and his wife’s desire to keep their family together.

This is a light-hearted, typical high-school "girl-has-crush-on-boy" type of drama. The main character, Otonashi Karen, was only used to gazing at her crush from a distance, until one day she misinterpreted his line while eavesdropping, turning her usual, timid self into a fancy "Barbie-doll" to attract his attention. The guy, of course, found her ridiculous and unbearable. Nevertheless, this drama traces the "fairy-tale-like" yet somehow sweet process of Karen's devotion to this guy. Each and every episode also shows how Karen's enthusiasm momentarily melts his heart, leaving him smiling with pure amusement, which indicates his growing fondness towards her.

Kuki Shoichiro is relieved of his position as general manager of Gendai Shobo and transferred to the research office. One day, three months after his sudden relocation, on the night of a lecture at the Culture Center at Kinugawa's request, Hisaki meets Rinko Matsubara through his introduction. The story begins a few months later, in September, in a hotel room in Kamakura.

Iguana Girl is a manga by Moto Hagio published in Petit Flower. It was adapted into a television drama in 1996. It is about a young girl, Rika, whose mother views her as being ugly, and favours her other daughter, Mami. Rika thinks of herself as ugly and as an iguana, but after her mother's death, realises that her mother was also an ugly iguana. Iguana Girl reflects Hagio's own relationship with her mother, and it took her "years to write this story". Hagio saw an iguana in a documentary on television and identified with it, feeling it was "lamenting its failure to become a human, just like me".

The story follows Minamida Nozomi, the charming female protagonist whose company's performance deteriorates due to the collapse of the bubble economy and who is forced to quit her job as she is prevented from getting married and starting a family. However, after her younger brother is involved in a theft incident within her family, she decides to become a lawyer. She passed the difficult bar exam and faced the harsh reality of legal training in Fukushima.

"Don't pity me, just give me money." A smart little girl, Suzu, for the sake of her beloved sick mother, has no choice but to attempt all ways to fork up the money required for the operation. It includes stealing, cheating and almost anything that could yield cash. However, deep within her is a sadness unseen by many. --Snowflakes (source: dramawiki) It received the 1st Television Drama Academy Awards (1994-06-22)for Best Drama and Best Theme Song and also received a Special Award. It was the highest rated NTV drama of 1990s, with average viewership rating around 24,7%.

A murder occurs at a party hosted by Dr. Aida's former students (mostly women), most of whom live in Kanagawa Prefecture. Dr. Aida is invited to the party and, at the request of his former students, decides to become involved in the case. Soon after, detectives from the local police department arrive (always accompanied by the chief of police), and a little later, Lieutenant Suda from the Fujisawa North Police Station (now the Yokohama Port Police Station) arrives to begin questioning the people involved (Dr. Aida secretly overhears this). The murders continue and the case becomes more and more confusing. Dr. Aida gets hints from the tools of the ancients that he has unearthed, and unravels the trick that was used to commit the crimes. The birth secrets of the people involved are the key to the case, and Dr. Aida (or Suda) always visits the obstetrics and gynecology clinic in the interview scene in the middle of the story.