Hirokazu Kore-eda

Movie meets humanities! This talk show/variety show for movie enthusiasts features interesting discussions by a writer and two movie directors where film and humanities intertwine.

As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.

YouTube Originals documentary on the making of "Get To The Punchline", the first film written and directed by Non (formerly, Nounen Rena). It covers the pre-production, 13-day shoot, and post-production of the film showing the wildly creative but inexperienced film-maker's struggles to make her first film.

With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.

The landmark Japanese Tokusatsu TV series Ultraman became a massive social phenomenon upon its debut in 1966, reaching a staggering peak viewership rating of 42.8%. Six decades later, Tsuburaya Productions continues to introduce new entries into the Ultraman series, expanding its unique universe to a global audience across generations. This documentary brings together leading voices from the fields of cinema, Tokusatsu, and design. Witness profound testimonies from an international assembly of creators, including: Guillermo del Toro, Hirokazu Kore-eda, Hideo Kojima, Hideaki Anno, Shinji Higuchi, and Nicolas Winding Refn.

After the COVID-19 pandemic, Busan International Film Festival founder Kim Dong-ho, at eighty-five, picks up a camcorder for the first time and decides to make a documentary. His lens turns toward cinemas struggling through the crisis, as beloved theaters vanish amid dwindling audiences. Seeking to reconnect with old friends, "Mr. Kim" — now nearing ninety — travels the world to talk with filmmakers and cinephiles. Through these encounters, he reflects on cinema’s past and future, finding wisdom and resilience in a time of transformation. His journey becomes a meditation on change, memory, and the enduring spirit of film.

KIM Dong-ho is the founder of the Busan International Film Festival and one of the key figures in the rise of Korean cinema. Starting his career as a civil servant, he dedicated his whole life to the sheer passion for films. With his deep commitment and instinctive creativity, he will keep “walking in the movies.”

How did an intimate film made on a modest budget win a Palme d'Or and attract 4 million viewers in Japan? With its principal craftsmen, including one-man band Hirokazu Kore-eda, we take a look back at a little gem of cinema made... with the family.

The landmark Japanese Tokusatsu TV series Ultraman became a massive social phenomenon upon its debut in 1966, reaching a staggering peak viewership rating of 42.8%. Six decades later, Tsuburaya Productions continues to introduce new entries into the Ultraman series, expanding its unique universe to a global audience across generations. This documentary brings together leading voices from the fields of cinema, Tokusatsu, and design. Witness profound testimonies from an international assembly of creators, including: Guillermo del Toro, Hirokazu Kore-eda, Hideo Kojima, Hideaki Anno, Shinji Higuchi, and Nicolas Winding Refn.

After the COVID-19 pandemic, Busan International Film Festival founder Kim Dong-ho, at eighty-five, picks up a camcorder for the first time and decides to make a documentary. His lens turns toward cinemas struggling through the crisis, as beloved theaters vanish amid dwindling audiences. Seeking to reconnect with old friends, "Mr. Kim" — now nearing ninety — travels the world to talk with filmmakers and cinephiles. Through these encounters, he reflects on cinema’s past and future, finding wisdom and resilience in a time of transformation. His journey becomes a meditation on change, memory, and the enduring spirit of film.

Ten years after the first documentary, the legend of the Palme d’Or… continues. Some new laureates of the Cannes trophy relive, for us, the very special moments surrounding the awarding of the Palme d’Or.

KIM Dong-ho is the founder of the Busan International Film Festival and one of the key figures in the rise of Korean cinema. Starting his career as a civil servant, he dedicated his whole life to the sheer passion for films. With his deep commitment and instinctive creativity, he will keep “walking in the movies.”

CHEN Ming-chang, exposed to Western music, from The Beatles to Bob Dylan, often taught himself to play and sing with a guitar when he was young. In the closed social milieu of martial law in Taiwan, he became immersed in music and yearned for freedom, arousing his desire to become a musician. Later, he decided to set out on a journey to learn more about the music that has been passed down through generations. Traveling around Taiwan, he learns traditional opera music from prestigious musicians and integrates it into his artistic creations, composing music and stories that belong to Taiwan…

She worked with the world’s greatest actors and directors: Buñuel, Mastroianni, Lellouche, Depardieu... The film guides us throughout her career with the filmmakers with whom she invented herself not to be a “cold blonde actress”, thanks to great interviews of many artists who crossed her path.

On May 18, 2017, the Busan International Film Festival’s Program Director Kim Jiseok died suddenly and unexpectedly from a heart attack while on a business trip to the Cannes Film Festival. In the face of his unexpected demise, his old friends and colleagues in the film industry recall what tormented him in his last days.

How did an intimate film made on a modest budget win a Palme d'Or and attract 4 million viewers in Japan? With its principal craftsmen, including one-man band Hirokazu Kore-eda, we take a look back at a little gem of cinema made... with the family.

This documentary follows the last days of actress KIKI Kirin, who passed away on September 15, 2018. The documentary is the first long-term, in-depth coverage of Ki-kin, and is a re-edited version of the NHK documentary of the same title that was broadcast on September 26, 2006, adding previously unseen footage. She was loved all over Japan for her blunt remarks, her attentive concern for those around her, and her overflowing sense of humor. Despite her busy schedule, she valued her daily life and had her own unique style, even though she talked about life as it came. This film captures the last days of her life and gives us hints for living from her "life as it comes" and her many inspiring words.

KORE-EDA Hirokazu, who won the Grand Prize at the Cannes Film Festival, is a friend of mine for 20 years. In one summer, my camera followed him in three seaside towns from Cannes, Okinawa and Chigasaki. His film was embraced by many people and the creation for the next story quietly begins with the sound of soft sea breeze.

With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.

A documentary filmed behind the scenes during the making of Hirokasu Kore-eda's 2008 film "Still Walking."

The making of the movie "Nobody Knows" by award-winning director Hirokazu Kore-eda.

Makiko Esumi and Hirokazu Kore-eda revisit Wajima, the setting of 'Maborosi'

A father loses his short-term memory as a result of a botched medical procedure, which causes him to develop Wernicke's Encephalopathy. Kore-eda chronicles his family’s fight to receive proper treatment and benefits from this devastating malpractice.

YouTube Originals documentary on the making of "Get To The Punchline", the first film written and directed by Non (formerly, Nounen Rena). It covers the pre-production, 13-day shoot, and post-production of the film showing the wildly creative but inexperienced film-maker's struggles to make her first film.

Movie meets humanities! This talk show/variety show for movie enthusiasts features interesting discussions by a writer and two movie directors where film and humanities intertwine.

As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.