Known For
The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.
No Hiding Place is a British television series that was produced at Wembley Studios by Associated-Rediffusion for the ITV network between 16 September 1959 and 22 June 1967. It was the sequel to the series Murder Bag and Crime Sheet, all starring Raymond Francis as Detective Superintendent, later Detective Chief Superintendent Tom Lockhart.
Follows the exploits of Hut 29, a dysfunctional group of soldiers and their National Service conscription into the British Army during the post war years.
In 2013, something terrible is awakening in London's National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor's own dangerous past comes back to haunt him.
Classic Doctor Who duos are reunited as they board a very special TARDIS on a nostalgic voyage through space and time.
Ghost Squad, known as G.S.5 for its third series, was a crime drama series about an elite division of Scotland Yard that ran between 1961 and 1964. Each episode the Ghost Squad would investigate cases that fell outside the scope of normal police work. Despite the show and characters being fictional, an actual division did exist within the Metropolitan Police Service at the time. Inspiration for the series was taken from a book of the same name, written by John Gosling — a retired police officer and former member of the team. Although the real-life squad only operated in London, the fictionalised team travelled internationally; however — as was typical of the time — most foreign locations were actually a combination of stock footage and sets at Independent Artists Studio at Beaconsfield and Elstree Studios. Music was by Philip Green. The show was produced by ITC Entertainment, along with Rank Organisation TV and ATV. It was the first ITC show filmed to fit the one hour time-slot — setting the trend for the majority of ITC's future output. Another common ITC trait was to feature an American, in this case Michael Quinn, in a leading role so as to increase the chances of international sales. At 6' 3", Quinn often towered over his co-workers. This was especially noticeable in the first series title sequence showing him walking through a crowd walking in the opposite direction. He frequently smoked in the show as did many others. The second series had a different title sequence and Neil Hallett sometimes replaced Quinn. Hallett looked more like a spy while Quinn looked a bit like a playboy. Quinn was replaced by Australian actor, Ray Barrett in the third series. Ray Austin played Billy Clay in and was also Stunt Director on all series bringing the action to life. Austin went on to become a renowned TV director in Hollywood and the UK.
Belfast police conduct a door-to-door manhunt for an IRA gunman wounded in a daring robbery.
An ex-con trying to go clean ends up working for a crooked trucking company swindling money.
As the Doctor's newest companion, Clara Oswald, steps into the TARDIS, take a look back at previous companions that have won over The Doctor's hearts in Doctor Who: The Companions. Along the way, companions past and present talk about how the show has changed their lives, and how they've never quite managed to leave the TARDIS behind.
The Duchy of Grand Fenwick decides that the only way to get out of their economic woes is to declare war on the United States, lose and accept foreign aid. They send an invasion force (in chain mail, armed with bows and arrows) to New York and they arrive during a nuclear drill that has cleared the streets.
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Movie Credits (124)
Belinda Chandra has been kidnapped by robots, faced a terrifying god and a creature of pure evil on her travels with the Doctor. With the TARDIS still unable to get her home to Earth, Belinda must fight for her life as the Doctor faces an almighty threat to reality itself…
The Doctor, Steven and Dodo land on an alien world in this animated reconstruction of a lost 1966 Doctor Who adventure. There, they meet two peoples: the cutthroat Savages and civilised Elders, who claim to know all about the Doctor and his travels. Is all as it seems, and will the TARDIS crew come out in one piece if it isn't?
Doctor Who fan favourite Catherine Tate presents a concert of music, monsters and mayhem featuring soundtracks from the iconic series, a specially shot feature for the Fifteenth Doctor and a host of scary aliens as they thrill a packed audience at London's Royal Albert Hall. In a concert like no other in time and space, the much-loved music, performed by the BBC National Orchestra of Wales, is accompanied by specially edited sequences from the series.
While the Doctor plays the Trilogic Game, Steven and Dodo are forced to play seemingly childish but ultimately dangerous games with the aim of being reunited and getting back to the Tardis. This brand new animated version has been created using the original audio recordings.
The very first crew of the TARDIS land in a petrified forest on an alien planet. Determined to explore, the Doctor leads his companions into the metal city, where they discover danger at every corner and what will become his deadliest enemy... the mutant Daleks. It's time to encounter the Daleks once again, but this time in a way you've never seen them before. Originally transmitted in December 1963 to February 1964, the seven original episodes of the first Dalek story have received a cosmic makeover, dazzlingly colourised and woven together into a 75-minute blockbuster with brand-new sound and a brand-new score created by Mark Ayres. The Daleks has been gloriously updated, whilst ensuring the original story remains as thrilling as it was in 1963.
As part of the sixtieth anniversary celebrations of Doctor Who, David Tennant time-travels back through the BBC archives to tell the story of the Doctor’s classic era.
The TARDIS lands on a planet on the verge of total annihilation as it drifts too close to the three suns which its orbits.
As the Twelfth Doctor nears regeneration, he stumbles on his first incarnation, also refusing to change. It takes a captain, a glass avatar and a familiar face to convince the Doctors the universe still needs them.
It’s Christmas Day on a remote human colony and the Doctor is hiding from Christmas Carols and Comedy Antlers. But when a crashed spaceship calls upon the Doctor for help, he finds himself recruited into River Song’s squad and hurled into a fast and frantic chase across the galaxy. King Hydroflax is furious, and his giant Robot bodyguard is out-of-control and coming for them all! Will Nardole survive? And when will River Song work out who the Doctor is? All will be revealed on a starliner full of galactic super-villains and a destination the Doctor has been avoiding for a very long time.
In 2013, something terrible is awakening in London's National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor's own dangerous past comes back to haunt him.
Actor William Hartnell felt trapped by a succession of hard-man roles while wannabe producer Verity Lambert was frustrated by the TV industry's glass ceiling. Both of them were to find unlikely hope and unexpected challenges in the form of a Saturday tea-time drama. Allied with a team of unusual but brilliant people, they went on to create the longest running science fiction series ever made.
Don't Lose Your Head is a documentary about the making of Doctor Who story The Reign of Terror.
The tricks of putting together a television drama show 'as live' are discussed by vision mixer Clive Doig.
Designer Raymond Cusick recalls his work on The Keys of Marinus, and discusses the challenges that this story held, with its weekly changes of location and inventive set-pieces.
A look at the making of 'The Rescue' featuring members of the original cast and crew. Featured on the DVD "Doctor Who: The Rescue", available in the DVD Box Set "Doctor Who: The Rescue & The Romans"
The Doctor arrives in Victorian London. It's Christmas, but snow isn't the only thing descending on the tranquil and jubilant civilization, as familiar silver giants from an alternate reality are amassing in numbers. The Cybermen are on the move again, and the only beings who can stop them are the Doctor and... another Doctor?
A look at the subtle (and not so subtle!) links to the show's past and future contained within the story of The Five Doctors.
The cast and crew's memories of the creation of the Daleks and the making of The Daleks.
A 55-minute documentary, detailing the creation of Doctor Who, including a rare interview with creator Sydney Newman, and new interviews with producer Verity Lambert, directors Waris Hussein and Richard Martin, actors William Russell and Carole Ann Ford, title sequence designer Bernard Lodge, and TARDIS sound effect creator Brian Hodgson
Documentary on the sound effects of Doctor Who in the 1960s.
TV Credits (8)
Classic Doctor Who duos are reunited as they board a very special TARDIS on a nostalgic voyage through space and time.
On an arid planet, the TARDIS trio encounter the Drahvins and the Rills; two species stranded on a planet doomed to explode. Both need the Doctor's help, but the Drahvin leader, Maaga, wants only her people to make it out alive.
As the Doctor's newest companion, Clara Oswald, steps into the TARDIS, take a look back at previous companions that have won over The Doctor's hearts in Doctor Who: The Companions. Along the way, companions past and present talk about how the show has changed their lives, and how they've never quite managed to leave the TARDIS behind.
A digitally restored collection of rare 1960s Doctor Who episodes, from stories which no longer exist in their entirety. They offer a unique glimpse at classic adventures which are now lost in time ...
The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.
Ghost Squad, known as G.S.5 for its third series, was a crime drama series about an elite division of Scotland Yard that ran between 1961 and 1964. Each episode the Ghost Squad would investigate cases that fell outside the scope of normal police work. Despite the show and characters being fictional, an actual division did exist within the Metropolitan Police Service at the time. Inspiration for the series was taken from a book of the same name, written by John Gosling — a retired police officer and former member of the team. Although the real-life squad only operated in London, the fictionalised team travelled internationally; however — as was typical of the time — most foreign locations were actually a combination of stock footage and sets at Independent Artists Studio at Beaconsfield and Elstree Studios. Music was by Philip Green. The show was produced by ITC Entertainment, along with Rank Organisation TV and ATV. It was the first ITC show filmed to fit the one hour time-slot — setting the trend for the majority of ITC's future output. Another common ITC trait was to feature an American, in this case Michael Quinn, in a leading role so as to increase the chances of international sales. At 6' 3", Quinn often towered over his co-workers. This was especially noticeable in the first series title sequence showing him walking through a crowd walking in the opposite direction. He frequently smoked in the show as did many others. The second series had a different title sequence and Neil Hallett sometimes replaced Quinn. Hallett looked more like a spy while Quinn looked a bit like a playboy. Quinn was replaced by Australian actor, Ray Barrett in the third series. Ray Austin played Billy Clay in and was also Stunt Director on all series bringing the action to life. Austin went on to become a renowned TV director in Hollywood and the UK.
No Hiding Place is a British television series that was produced at Wembley Studios by Associated-Rediffusion for the ITV network between 16 September 1959 and 22 June 1967. It was the sequel to the series Murder Bag and Crime Sheet, all starring Raymond Francis as Detective Superintendent, later Detective Chief Superintendent Tom Lockhart.
Follows the exploits of Hut 29, a dysfunctional group of soldiers and their National Service conscription into the British Army during the post war years.
